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Artist
: Aqueduct
Title :
Power Ballads
Label :
Popular
Reviewed By :
John Estus
Site : Link |
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Aqueduct
mastermind David Terry (of Epperley-fame) offers the following
information in the liner notes of Power Ballads: "recorded
in my apartment." The songs are air tight and the sound
quality is unbelievable. Power Ballads crushes the purpose for
existence of professional recording studios.
The gift of freedom and patience that home recording provides
shines on Power Ballads. With a little help from Trent Bell
and Bell Labs studios, Aqueduct's warped version of ambient
indie pop music revolves around lyrics of heartbreak and anguish;
pop music that hits the heart and wrenches emotions.
Beneath the elaborate worlds of soundscapes and synthesizer
heavy rhythms, Power Ballads journeys deep inside Terry's
brain, a place we feel we've been before yet left answerless.
Power Ballads answers those questions on a dreadful journey
of stream of consciousness self therapy backed by a killer
soundtrack.
Opened by "Assignment #1," the disc feels smooth
in texture and flow, but Terry's dreary contemplation's ("Take
me to a watery grave/never to be heard from again/well I swear
that I'll still be there/I wish I could be better to you")
shoves a little rigid irony into the calming piano work.
The drum machine has never been as powerful as the "bang!
bang!" dominating the background in "Growing Up
with GNR." The shattering breakup ditty paints a picture
of Terry maniacally begging exit from the clutches of a smothering
relationship, ripping apart his apartment, screaming out the
window "whenever, whenever, whenever, you fall apart/forget
her, forget her, forget her, she broke your heart!" A
menacing bass line and dramatic piano provide a musical outlet
for the rage, sounding similar to some Hollywood thriller's
climatic moment of horror.
"Try It Now!" takes a step back from the aggressive,
structured patterns dominating other tracks, featuring keyboard
and guitar taking dueling lead roles (Trent Bell lends guitar
work). It is slower in structure and delivery than the whole
album, patiently presenting Terry's lecture with an astonishing
ease.
The paradoxical breakup anthem "Revolving Door"
speaks for the whole album, being as illogical as it is brilliant.
Disclaimer to studio owners: hire Aqueduct apartment landlord
David Terry or prepare to sign your eviction papers.
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